Norwegian artist Anne-Karin Furunes’ portraits might look like black-and-white photographs, but that’s just your eyes playing tricks on you. They’re actually paintings made with of thousands and thousands of tiny holes. Anne creates them by punching perforations into large canvases, creating the effect of monochromatic hyper-realistic portraits.
Anne has been perfecting her unique perforation technique since the 1990s, when she was a student of architecture and art at the Art Academy of Trondheim. All the main painters back then used a lot of paint on the canvas, she said, but she wanted to ‘enter the canvas’ in her own way.
“So I tried to find my own language,” she explains. “At that time, I was really interested in photos – old photos, albums, private albums – and I think it was the idea of trying to transform these photos to something physical, something bigger. And to give it a kind of soft treatment so it was, in a way, a memory. Something that is coming and disappearing at the same time.” The holes, she said, are symbolic of memories – how they disappear exactly when you try to grasp them.