One day, the workers at a scrapyard in China recently decided to get creative with all the metal junk lying around by building a giant Transformer statue. And when the life-size replica of the popular Autobot  started attracting the attention of visitors and passers-by, they decided to keep going. The team built over 40 Transformers in four months, which have now become tourist attractions in their own right.

The scrapyard where the Transformers are on display is located on a remote farmhouse on top of a hill, in Jinan City, Eastern China’s Shangdong Province. As you travel closer to the hill, the sight of these giant action figures in the middle of nowhere is arresting. And once you get there, it’s quite amusing to see the pigs at the farm live happily among the inanimate Transformers.

21-year-old Li Hung, a part-time worker at the yard, built the very first Transformer. The PR and marketing student said he wanted to make something ‘eye-catching’ using discarded parts. “I thought if people could see something spectacular made from junk, it would highlight what we do here and we could get more customers,” he said. Li was right. The robot became immensely popular, winning a lot of praise from locals.

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Would you spend $55,000 on a motorcycle that doesn’t run? Before you make a decision on that, here’s what you need to know – the motorcycle in question is actually made of animal bones. A Florida man created the beast using a lot of pieces from other dead beasts – three to four cow skulls, two to three alligator skulls, bones of goats, wolves, raccoons, turtles and pigs, and a cow spine for each of the wheels. The bike is rather cheekily named: ‘Cowasaki’.

Reese Moore, the bike’s creator, said it takes him about a year to collect all the bones from dead animals on the side of the road, or carcasses from hunters and farmers. It then takes him a week to sand the bones down and but the bike together. It’s not just bikes – the 65-year-old also makes a host of other things with the bones, including dinosaurs and choppers. And when he isn’t doing that, he trains whales and sea lions, builds museum exhibits and performs in Timucuan Indian re-enactments. He was also a snake wrangler at one point.

“I don’t do anything normal,” Moore observed. “I just go around and show off and make weird stuff.” He got into the bones business after using them to make Halloween decorations for his kids sometime in the early 1990s. That year, he made a dinosaur out of an assortment of bones for his sons. When the owner of Froggy’s Saloon asked him if he could take the model, Moore had a better idea. “I was kidding, and I said, ‘I’ll build you a motorcycle for Bike Week.’” The bar-owner said it couldn’t be done and Moore accepted the challenge. “In about three or four days I called him up and told him he could pick up his motorcycle.”

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This is what I call expensive art! While most artists spend money on art supplies, this Ukrainian man actually used money itself. 29-year-old chef Sergei Nikolayev Knurov fashioned a detailed miniature ship out of a variety of Ukrainian coins. The final piece contains a whopping 17,000 coins, with bank notes for sails.

Sergei, a resident of Mykolaiv city in southern Ukraine, first started the project with coins from his piggy bank. But he soon ran out of material – his personal stash only covered the keel. So he began to exchange paper money for coins whenever possible at drug stores and markets, and sometimes with friends. When people found out what the coins were meant for, they were glad to part with their loose change. The coins Sergei used are mainly 2 and 10 kopecks, and the sails are made of 25 five-hryvnia notes.

At first, it wasn’t easy for Sergei to actually create the 3 dimensional model of the ship using just his sketches and notes. But lucky for him, his wife Alena is an amateur numismatist (a person who studies and collects currency). She helped him fuse the coins together using silicate glue, which worked pretty well. Sergei said that using regular super glue could have resulted in oxidization, but this way the metal structure will last longer.

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You’ll have to look really close at this picture of a beautiful parrot to realize that it’s not a parrot at all. The rich red-and-gold plumes are, in fact, a woman’s limbs painted to perfection. The incredibly clever photograph is the work of 35-year-old body painter Johannes Stoetter. The artist, who lives in Italy, spent four long weeks planning the transformation of a female model into a hauntingly realistic parrot. The actual painting work took him about four hours to complete and he spent another hour positioning the model on a tree stump before clicking a series of photographs.

Stoetter’s photographs form the perfect illusion. But if you observe carefully, the head of the parrot is actually the woman’s left arm wrapped around her head. The wings are formed by her right leg and arm, while her outstretched left leg is made to resemble the tail. Stoetter said that he chose to have the model sit on a tree stump to enhance the life-like appearance. As you can imagine, the entire process was quite complicated and painstaking.

“It was quite hard to take the photo, to tell the model how to pose to make the parrot seem as real as possible and also to find the right point of view for me to take the photo,” said Stoetter. “It was not easy for the model to hold the position either. The whole process took about four weeks from start to finish.” Although it was tiresome, the artist said that it is immensely satisfying, especially when people compliment him for a nice picture of a parrot.

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When Jesse Krimes was growing up, he probably never realized what a cruel pun his last name would turn out to be. In 2009, he was sentenced to 70 months in prison for possession of cocaine, after a long-drawn legal battle of unfair charges and accusations. While the judge recommended that he be sent to a minimum security prison close to his family in New Jersey, the Federal Bureau of Prisons (BOP) chose to send him to a medium security facility far away from home.

According to Jesse, that was just the first of a series of measures taken by a system that is designed to dehumanize. The experience must have been extremely frustrating for him, to say the very least, but he did find a unique way of fighting back – through art. “The system is designed to make you into a criminal and make you conform. I beat the system,” he said with pride.

The extraordinary artist didn’t have fancy art supplies to work with. At his disposal were mundane objects like old New York Times (NYT) newspapers, prison bedsheets and hair gel. But these were more than enough for him to create something so striking that the world just had to stand up and take notice. He created an enormous mural by burnishing high quality visuals from NYT on to the bedsheets, using only a plastic spoon. He used the hair gel as a transfer agent.

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Performance artists Ward Shelley and Alex Schweder are currently roommates – not in an apartment, but in a large hamster wheel. Alex, who is afraid of heights, lives on the inside of the wheel, at the bottom. Ward, who has no such reservations, stays put at the very top, on the outside (180 degrees from Alex). They came into this unique living arrangement last Friday and plan to continue until March 9th.

Ward and Alex are actually in the middle of an art project that they like to call ‘In Orbit’. They are on display at The Boiler, a performance space at a New York’s Pierogi gallery. It took them four weeks to construct the 30-foot tall, 60-foot in circumference hamster wheel themselves, with a little help from engineer friends. The gigantic structure is suspended from the ceiling and has furniture fastened to it on the inside and the outside. Ward and Alex each have a bed, a desk, a kitchen-bathroom combo, a chair, lamps and a dresser to use.

Every piece of furniture is aligned to its counterpart, so both inhabitants of the wheel have to use the bathroom at the same time, work at the same time and go to sleep at the same time. To change the furniture setting, they simply walk on the wheel in opposite directions, moving it until the next station arrives. For safety reasons, they walk very, very slowly.

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You would think that a woman living with a mannequin family has got to be some sort of weirdo. Contrary to that expectation, Suzanne Heintz comes across as fairly normal. As normal as an artist can be, that is.

Suzanne is an art director at Starz Entertainment Group in Englewood, Colorado. Every day for the past 14 years, she has been coming home from work to her unique family – her synthetic husband Chauncey and never-growing adolescent daughter Mary Margaret. Over the years, she has traveled 16,000 kilometers across America and all over the world, taking happy portraits with her plastic loved ones as a part of an art project called ‘Life Once Removed’.

Before the mannequins became a part of her life, Suzanne said she was routinely badgered with questions like, “When are you getting married?”, specially by her mother. “Nobody’s perfect,” her mother said to her about 15 years ago, “If you are going to get married, you’ll just have to pick somebody.” To which Suzanne replied, “Mom, it’s not like I can go out and buy a family and make it happen.” Or could she?

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Luigi Prina might be 83 years old, but he still has the imagination of a child. The Italian architect’s studio is filled with miniature flying ships of all shapes and sizes, suspended from the ceiling with nylon strings. And here’s the special part – some of the ships really do fly. When Luigi twists the propeller and lets the toys go, they whizz around the room in loops and circles.

Luigi has been obsessed with ships ever since he can remember. He began building model ships at a very young age. When he was 16, he won a national aircraft modeling competition. The judges were particularly impressed by his superior craftsmanship – and also his age. “When I went to collect my prize, they asked me: ‘Why didn’t your father come to collect his prize?’ ‘What do you mean my father, I am Luigi Prina!’ They were quite upset by this,” said Luigi.

But it wasn’t until 50 years had passed that Luigi was inspired to make his model ships fly. “I met Eugenio Tomiolo, a Venetian painter and boat builder,” he said. “And then I said to him: ‘Do you want to bet that I can make the boats fly for you?’ And I made the first boat. I made it fly in his studio. He had painted his ceiling like a sky with clouds. When the ship began to go around the ceiling it seemed as if the clouds were moving.”

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Adam Brown, a Missouri-based painter, is offering his clients a unique way to connect with their deceased loved ones. He mixes the ashes with paint pigments and uses them to create portraits of the dead, as a ‘lasting memory’.

The 32-year-old artist said: “It hit me that having ashes in an urn on a fireplace would be a good way to remember that someone died, but having them in a piece of art is a good way of remembering that someone lived.” For Brown to paint the portraits, his clients need to send him the cremated remains of their loved ones. “Out of respect, I still wear gloves when handling the ashes,” said Brown “And whatever is left over, I am careful to return. I only need about four to six ounces, depending on the canvas. The ashes would go into the background.”

He takes these ashes, which have the texture of sand, and mixes them with paints, craft glues and resins. Brown also incorporates the deceased’s favorite colors and personality into the artwork. He puts a written inscription at the back warning that the painting contains human remains. This is “in case it ever leaves the family and goes into auction, so people know what they’re buying.”

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Sweets are not just meant for eating, they can be used for art too! Artist Michelle Wibowo recently used tasty treats to create a life-size replica of Michelangelo’s famous Sistine Chapel painting – The Creation of Adam. Measuring 18’9’’ by 9’2’’, it features 10,000 marshmallows and half a billion cake sprinkles. It’s been rightly dubbed, ‘The Baking of Adam’.

Michelle took 168 hours to complete the project that marks the 450^th anniversary of Michelangelo’s death. “Britain is currently gripped by baking fever with a real emphasis on unique designs and showmanship,” said the 35-year-old artist who baked the masterpiece for Cake Angels. “When we learnt of Michelangelo’s anniversary celebrations, we really wanted to join in. We decided to challenge the boundaries of cake design by immortalizing his most heavenly creation in our own special way. No celebration is complete without cake and we really hope that Michelangelo would have given us his official seal of approval.”

According to creative director Alex Balzaretti, “Cake Angles is all about inspiring the baker through creativity and innovation. We’ve been looking for a project for a long time that enabled us to do that and it became apparent that 2014 was going to be a historic year in the celebration of the life of Michelangelo. His most important and probably prized work of art is The Creation of Adam on the ceiling of the Sistine Chapel and what more heavenly creation to be picked.”

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Peter Gibson, a Montreal-based artist, began a campaign in 2001 to encourage the city to build more bike lanes. Although intended as an activism effort, the campaign was artistic in nature – it involved huge drawings on black asphalt, plain for everyone to see.

A decade ago, around the same time, Gibson was actually charged with 53 counts of public mischief for drawing on the streets. But he was popular with the public and support poured in from everywhere, helping him to walk free.

Today, the reason for protest may no longer exist, but the art form sure hasn’t died out. Assuming the pseudonym ‘Roadsworth,’ (“where Wordsworth is a poet of words, Roadsworth is a poet of roads”), Gibson has cleverly transformed roads, sidewalks and parking lots into stunning pieces of art.

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Chinese artist Li Hongbo’s sculptures look no different from the classic white Roman-style plaster busts that many sculptors create. But the real magic begins only when you get close and touch them. What appeared to be plaster, reveals itself to be multiple layers of very thin paper.

Li’s technique is stunning – He sketches his ideas before pasting glue in narrow strips across pieces of paper, and stacking them up to the desired height. He uses up to 8,000 layers for a single head. He then cuts, chisels and sands the block of paper using a band saw and angle grinder, just as though he were working with stone. So you could literally touch and play with the busts that Li creates. You could stretch the faces and distort features to reveal an accordion of paper layers, and then snap everything back together with ease.

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Michael Fennel is an exceptional artist who uses a very strange medium to create art – smoke. For the last 16 years he has developed a special technique of manipulating smoke on wooden panels to create mesmerizing paintings.

Although Fennell’s smoke painting techniques remain a well-kept secret, the artist does reveal that “Smoke as a drawing medium is of course fundamentally flawed – it is tremendously volatile and a line cannot be drawn with it, but perhaps more importantly you can easily ignite your paper and burn down your studio! Smoke is a unique medium that is not drawn, painted, printed, rubbed, flicked, blown or sprayed on – so what could we say – air borne? It can create the most beautiful blacks, that are ‘luminous’ and have depth to the extent that charcoal is flat and pale next to it. It an also create melting, nebulous edges and a great range of tones to rival those of photography.”

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Zaria Forman’s paintings of icebergs are so realistic that just looking at them actually gives me the chills. Her 2012 collection, Chasing the Light, is a tribute to her mother who died from brain cancer. She also hopes to raise awareness to climate change through her work.

Forman has a unique style of creating art. “When I travel, I take thousands of photographs and make small sketches. Once I am back in the studio, I draw from my memory of the experience, as well as the photographs to create large scale compositions. I add layers of color onto the paper, smudging everything with my fingers and hand,” she said.

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We love all kinds of unusual art here at OC, and Miguel Cardona’s unique paper cups fit the bill perfectly. The San Francisco-based illustrator and professor of design takes ordinary coffee cups and transforms them into stunning collectibles. His doodles cover a range of subjects – from aliens to sea creatures, and even the face of Walter White (of Breaking Bad fame).

Cardona’s love affair with cups began last year, when he happened to visit a café near his workplace. The barista tied a napkin around a takeaway cup, and Cardona thought it looked like a scarf. So he quickly sketched a hipster around it. On subsequent cups the scarf became a doo-rag and then a Ninja Turtles’ mask.

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