Jo remembers she was only six when her grandmother taught her to to crochet, but it wasn’t until ten years later that she really dedicated herself to the old craft and started crocheting in a crafty way. She attended the Glasgow School of Art, where she experimented with both painting and drawing, but she felt that she needed an original medium to help her express her talent.
She was inspired to use crocheting as an art form after seeing an exhibition at the Portland Craft Museum that inspired artists to use techniques that are originally considered to be art. Happy that she had finally found a means of expression that she was comfortable with, Jo immediately started crocheting a cityscape made of six blocks, named “I Crochet Portland”. She now spends anywhere from forty five hours on a portrait, up to three years on one of her cityscapes, but the most important thing is she never gets bored of crocheting.
The portraits Jo creates are incredibly detailed, and many people have speculated about the techniques and stitches she uses, but the artist claims her pieces come alive from the inside – it’s an organic process that implies no graphs, plans or charts. Of course, this means she doesn’t know the exact outcome of her effort, but Ms. Hamilton says she has learned to trust her way of working.