Portuguese street artist Vile has a gift that some would consider similar to a superpower – he can make concrete walls look transparent to the naked eye, using only cans of graffiti paint.

Rodrigo Miguel Sepulveda Nunes, aka Vile, started doing graffiti when he was 14 years old. In college he studied Cartoon and Animation Film and Drawing and Illustration, and in 2007 he started working as an independent artist. Vile has several remarkable paintings and portraits under his name, but graffiti always remained his biggest passion, and today he is better known as a street artist. Looking at some of his most impressive works, it’s easy to see why Vile is considered one of the world’s most talented graffiti artists.

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Portuguese street artist Odeith is widely considered the pioneer of anamorphic graffiti, and looking at his latest works, many would say he is still ahead of the curve.

Seen from all but the perfect angle, Odeith’s anamorphic masterpieces look strange and distorted, but when properly aligned with the artwork viewers are treated to larger-than-life creations that seem ready to leap off of their concrete canvas. Take the artist’s latest project, a realistic-looking wrecked bus spray-painted on a giant concrete block. Unless you saw the “before” photo, you could swear that was a real bus.

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Lata 65 is a highly unusual urban art workshop in Lisbon, Portugal, that teaches elderly women the basics of street art. Although graffiti is generally perceived as a part of youth culture, the workshop has introduced the quirky art form to over 100 senior citizens around the city. It gives groups of elderly women the chance to team up with prominent street artists and literally paint the town red. They bring color and charm to otherwise neglected and run-down neighborhoods, by making their own stencils and creating their own street tags.

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Montreal-based graffiti crew A’shop has managed to transform the bland side of a building located  at the corner of Madison and Sherbrooke Street West into an amazing piece of art.

Graffiti artists Fluke, Guillaume Lapointe, Antonin Lambert, DoDo Ose and Bruno Rathbone spent two weeks researching the project and gathering tools they needed, and then worked 16 days from dawn till dusk in order to complete the incredible five-storey mural. Known as the “N.D.G. Project” (after its location), the giant graffiti artwork is a modern take on “Our Lady of Grace” and was inspired by the work of Czech art nouveau painter Alphinse Mucha. To finish their masterpiece, the boys from A’shop used over 500 cans of paint, in over 50 different colors. Good thing the art project was sponsored by the city of Montreal, or that could have caused a serious dent in their budget.

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5Pointz Aerosol Art Center is an outdoor art exhibit space where graffiti artists can exercise their artistic talent, legally. Dubbed a “an institution of higher burnin’ “, 5Pointz Aerosol Art Center is viewed as the Mecca of the graffiti art world.

If you’re interested in discovering one of New York’s off-the-beaten-track attractions, 5Pointz should definitely be at the top of your priorities. An old factory converted into an outdoor graffiti museum, the 5Pointz Aerosol Art Center features 200,000 square-feet of art covered space that will probably blow your mind. Practically every square inch of this once bustling industrial complex has been covered with colorful layers of graffiti paint, depicting everything from peace messages written in WildStyle to portraits of The Notorious B.I.G.

Provided they receive the approval of Jonathan Cohen, the curator of 5Pointz Aerosol Art Center, any artist from around the world can leave their mark on the largest graffiti art exhibit in the world. Artists from Japan, Brazil and the Netherlands have contributed to the space, and if you visit here on weekends, between noon and 7 pm, you’re likely to catch graffiti artists at work.

So if you happen to be in New York, head to Long Island City and visit 5Pointz. It’s always free, it’s always open, and it’s always has some new art exhibits for you to discover.

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