Self-taught artist Julie Bender is a master of pyrography – the art of drawing with heat. She combines this artistic talent with her love for animals and nature to create incredibly detailed sepia works of art.

Pyrography, the art of burning or scorching a natural surface like wood or leather with a heated tip or wire was first practiced thousands of years ago by the Egyptians and African tribesmen attracted by the power of fire. Impressive as it was in its early days, pyrography has come a long way since then, especially since Melbourne architect Alfred Smart discovered a way to pump benzoline fumes through a heated hollow platinum pencil, thus creating an instrument that allowed artist to create tinting and shading, which were previously impossible. In the early 20th century, the invention of the electric pyrographic hot wire machine took the ancient art to a new level, and modern tools have become so advanced that they allow artists to modify burning temperatures and create a variety of tones and shades.

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‘Eggs for Soldiers’ is a family event held every year at the Clapham Common in London to raise money for Help for Heroes. It’s basically about the sale of khaki green boxes of eggs, with 15 pence from the sale of each box going to the charity that helps wounded servicemen returning from war. This year’s event on the 4^th of March will have two great things to look forward to – a national egg and spoon race, and a life-size tank made of no less than 5,016 egg cartons.

The tank, a replica of The Challenger 2, was created by British sculptor Stuart Murdoch. Along with the 5,000 odd egg cartons, he also made use of over 10,000 nails, 26 liters of glue, 15 liters of paint, 80 sq. meters of steel and 5,013 staples in the creation of this epic tank. I can’t believe someone actually counted the number of staples. What’s more, the whole project took Mr. Murdoch and his assistants only 3 weeks to complete. That included 3 sleepless nights as well. The tank will be on display for the general public on 4^th March at Clapham Common, so if you happen to be in London, don’t miss it!

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Whether painted or sculpted, I’ve always found hyper-realist artworks fascinating, but Bruno Walpoth’s masterpieces are particularly impressive simply because they are carved from large pieces of wood.

I’m not saying working with other materials to create realistic shapes is easy, but turning something as rigid as wood into works of art that seem almost alive takes something truly special. Bruno Walpoth uses simple carving tools to turn pieces of wood (lime and walnut) into human sculptures with detailed features that seen from afar look incredibly life-like. Only on closer inspection does one notice the carving marks on their skin, left intentionally as quiet reminders that these mind-blowing figures are not human. “Contrary to Geppetto, who constructed himself a child (Pinocchio) out of a piece of wood to banish his loneliness, Bruno Walpoth attempts, perhaps out of awareness of life’s transience, to immortalize the volatile spark of youthfulness he catches in the eyes of his models – sometimes his own children – into a wooden sculpture,” Absolute Art Gallery‘s Diana Gadaldi says about Walpoth’s work.

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Jim Dingilian is one of those rare artists who stretch the limits of creativity with their amazing creations. He uses candle smoke to paint picture-perfect images on the inside of empty bottles.

“The miniature scenes I depict are of locations on the edge of suburbia which seem mysterious or even slightly menacing despite their commonplace nature. The bottles add to the implied narratives of transgression. When found by the sides of roads or in the weeds near the edges of parking lots, empty liquor bottles are artifacts of consumption, delight, or dread. As art objects, they become hourglasses of sorts, their drained interiors now inhabited by dim memories” Jim Dingilian says bout his art.  How he manages to create such detailed images inside the bottle remains a mystery, but I’m thinking he uses some sort of slim tool to scratch at the candle smoke. Still, how he manages to keep a steady hand and work through that narrow bottle hand is beyond me.

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It’s not unusual to have photographs of yourself taken every year. But in the case of Ria van Dijk it is, because she’s in the exact same pose in each of the pictures – shooting a target. The 92-year-old from Tilburg, Holland has been going to funfair shooting galleries every year since 1936, and has won the prize every single time – a photograph of herself shooting.

Shooting galleries at fairs are set up in such a way that when the target is hit, it triggers the shutter of a camera. The result is a photograph in which the viewer is in the position of the target. The picture is the prize that participants win for their efforts. Even before she participated in the shooting gallery, Ria had plenty of practice at home, as a child. Along with her brother, she used to shoot at a target with air guns in the garden of her home. She says they would do this just for fun. So when she went to the fair at age 16, her friends encouraged her to give the shooting game a try. She won the picture on the first shot, and went on to win another one. Ria went back to the fair a year later to win another picture and that was when it all began.

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Nothing can stop a person with innate artistic abilities, not even the absence of functioning limbs. 50-year-old Steve Chambers is a perfect example of this. The artist from Norfolk, UK, paints breathtaking sceneries using only his mouth. It’s simply amazing how such accurate strokes can be achieved while holding a paintbrush with one’s teeth.

Chambers, who suffers from arthrogryposis syndrome, has been disabled since birth. His arms lack muscles and the joints in his legs are stiff. While many people in his condition struggle to perform daily tasks, Chambers began painting at a very early age. He says it didn’t take him very long to get the hang it. “To me using a paint brush with my mouth is like you using your hand to pick up a spoon.” He started off by using his mouth to hold a pencil, which according to him wasn’t actually difficult because he didn’t know anything different. However, he did get frustrated as a kid when he couldn’t get the effects he wanted while drawing.

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People find unique ways of storing and recording memories of the most important days of their lives. Some save cinema ticket stubs from their first date, some like to keep home videos and photo albums of family events. The methods of storing memories – both happy and sad – are endless. But the story of Cody Cox stands out from the rest. He chose to remember the last day his nephew Justin Tyler Berry was alive in a very different manner – by purchasing a painting depicting the last sunrise his nephew had ever seen. This was possible because brain tumor survivor Debbie Wagner has been painting the sunrise every single morning since December, 2005.

56-year-old Wagner is from Bennington, Kansas. In her healthier days, the mother of three loved to read long novels, cook up complicated recipes, take care of her family’s finances and always got nine straight hours of sleep every night. When she was diagnosed with not one, but two tumors in her brain in 2002, her life changed forever. Although the surgery to remove the tumors was successful, she lost the ability to do many of the things she loved. Wagner could no longer multitask, follow recipes or novel plots, balance a checkbook, or even sleep soundly through the night.

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Human hair is fast becoming one of the most popular mediums in the art world. We’ve seen everything from dresses made of hair and hair necklaces to insect sculptures made from human air. Now, we’ve discovered the intricate art of Jenine Shereos, who uses the dead protein to create tree leaves.

Leaves may not seem very special when you’re walking all over them, barely even noticing their presence, but if you take the time to pick one up and really look at it, you’ll notice each one has a unique and intricate veiny pattern that’s pretty tough to recreate. It was this delicate and detailed venation that inspired Jenine Shereos to create her awe-inspiring series of human hair leaves. She began by stitching strands of hair into a water-soluble backing material, making a tiny knot every time one strand of hair intersected another. This way, when the backing was dissolved, the leaf was able to hold its original shape. The artist says the whole process was meditative, as she found herself “lost in the detail of the small, organic microcosms that began taking shape.”

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Created by Cagna Illumiations, the light cathedral made from 55,000 LEDs, for the 2012 Ghent Light Festival is one of the most beautiful light displays you’ll ever see.

Designed as a symbolic entrance to the Ghent Light Festival, the colorful cathedral imagined by Italian company Luminarie De Cagna stole the show at this year’s event. The gigantic colonnade was adorned with around 55,000 colorful LED bulbs that shine so bright you’d think they consume enough electricity to power a small town, but in reality, the entire installation consumes only 20 Kwatt/h. Inspired by Romanesque and Renaissance architecture, the LED cathedral towered 28 meters high.

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Rob Tarbell has a very unique talent. By burning everyday objects under a paper canvas fixed on the ceiling of his studio, he is able to control the rising flow of smoke and create incredible works of art.

The artist first got the idea of using smoke as a medium for his art in 2007, and he quickly realized that in order to make it work, he needed to control the smoke, while letting it do what it does naturally. To him, that sounded a lot like what circus trainers do with wild animals, so this inspired him to use circus performances as the main subjects of his beautiful smoke paintings. Masterfully channeling the flow of smoke, Tarbell creates ghost-like figures, both animal and human performing circus acts, in a series entitled Smoke Rings. “The performing animal images in the Smokes parallel the drawing process,” Rob says on his website. “The trainer must recognize and respect the innate nature of an animal when trying to modify its behavior to achieve a desired outcome: e.g. training a bear to dance or training a horse to walk upright. The same is true in working with smoke. The inherent properties of smoke must be respected, then permitted to – and yet discouraged from – acting naturally.”

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If you’re ever in Florence, Italy, and see a grown man on a ladder wiping the dust off statues and building, don’t worry, it’s just Alessandro Ricci gathering material for his famous smog paintings.

40-year-old Ricci is not your average artist, and I don’t say that just because he used smog as the main medium of his artworks. Unlike other painters seeking fast recognition of their talent, he doesn’t really care about “being this big artist”. Instead he is more concerned about bringing attention to how much smog there really is in his home town and how it’s destroying both its monuments and people. Although he did take a couple of art classes a few years back, he is mainly self-taught, doesn’t work in a studio, donates most of his work, and refuses to play by the rules of the Florentine Art Gallery, which he considers corrupt. Alessandro Ricci believes selling his smog paintings  would not only compromise his principles, but also contradict the very thing he’s trying to do – raise awareness about smog pollution in this great Italian city.

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I can think of a few things one can do with a basketball, but painting is definitily not one of them. But I guess that’s exactly what makes Shanghai-based artist’s, Yi Hong, so special.

Yi, who goes by the name of “Red”, and describes herself as an artist who “loves to paint, but not with a paintbrush”, recently posted a video of herself painting a detailed portrait of retired NBA superstar Yao Ming, using nothing but red paint and a basketball. In the time-lapse she dips the ball in paint and carefully bounces it on the canvas, and slowly by surely, the portrait starts to take shape. All the help she got was in the shape of a print of the famous Chinese basketball player, which she checked a few times, for accuracy. The amazing video got 400,000 views in just a few days, and the artist posted about how flattered she is, on her Facebook page. Yi Hong was born and raised on the island of Borneo, and also spent some time in Australia and the Netherlands, but she ultimately settled in Shanghai.

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Unemployed Irish artist, Frank Buckley, has built an entire apartment from the shredded remains of 1.4 billion euros he borrowed from the national mint. He says the Billion Euro Home is a monument to the madness the single currency brought to Ireland.

In 2002, when Ireland adopted the euro, a wave of cheap credit flooded the country, fueling a huge property bubble that eventually led to the country’s economic downfall. People were spending billions of euros on buildings, but when the bubble burst in 2007, the country plunged into the deepest recession of the industrialized world, and those buildings quickly lost their value. Frank Buckley was one of the many Irish who was given a 100% mortgage by the bank, to buy a home with an estimated cost of €365,000, despite the fact he had no steady income. Now his house on the far reaches of Dublin’s commuter belt has lost a third of its value, and the artist is stuck with the credit.

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New York-based artist, Judith Braun, creates giant symmetrical wall paintings, using only her fingertips as brushes. This would be difficult to do with one hand at a time, but Judith sometimes uses both hands at the same time.

As children, we all got our hands dirty then tried to use our fingers to draw, but I doubt any of our “masterpieces” looked anything like those of Judith Braun. By dipping her hands in charcoal, pastel and chalk, and using them as paintbrushes, Braun is able to create truly unique symmetrical works of art. Using her own special technique, she produces all kinds of abstract images, patterns and shapes.  “Abstraction keeps the images free to be anything, while the symmetry resolves that fluidity into something, like liquid energy crystallizing. This crystal metaphor is further reflected in the carbon medium that, under heat and pressure, becomes a diamond.  I like to think I’m drawing with diamond dust”, Judith Braun says about her art.

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Peruvian artist Cecilia Paredes uses a mix of make-up, paint and costumes to make herself disappear in her own paintings. Like the real-life invisible man, Liu Bolin, she  is a master of blending-in the background.

Paredes explains her technique as a way of making herself part of the landscape ïn a quest of belonging”.  “The theme behind all is re-location after displacement and migration and how one has to adjust in order to belong. Tough it is, but it has to be done, without forgetting our origin,” the artist explains. With the help of her assistants, she applies make-up and body paint, and sometimes slips into special suits to make herself a subject of her own artworks. Unlike human chameleons like Liu Bolin, Cecilia Paredes sometimes likes to let her presence get noticed by the viewer, by leaving her hair stand out and letting them see the whites of her eyes, like in the artwork below.

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