Children are generally not permitted to play with matchsticks, but nothing could keep Wieslaw Laszkeiwick away from the tiny sticks of wood. Ever since he was a child, building models out of matchsticks has been more than a pastime for the self-taught master. He treats the activity like a prayer. And what he likes to build most are houses of prayer. Now 58 years old, this Polish folk artist works with hundreds of thousands of matches, pieces of cardboard and microscopic slides for several months at a time, creating beautiful replicas of churches around the world.

Laszkeiwick lives in a wooden house with his son, where one of the rooms is used as a workshop. It’s in this room that he spent over 40 years creating detailed structures using matches. One of Laszkeiwick’s most notable works was a replica of the 17^th century monument, the Church of St. Nicholas in Zamosc. The completed structure stood almost 5 feet tall and was intended to be a gift to Pope Benedict XVI. What pleased him so much about the St. Nicholas church was its spherical dome. To create the replica, he used almost half a million matchsticks bound on to matching paper. After the building was complete, he covered it with several coats of varnish and special glue that prevents the matches from warping after they are attached. He also mounted a bulb inside to illuminate the intricate stained glass windows, made from hundreds of pieces of glass. Elements such as doors and gates were carved, and a he fashioned a bell out of specially prepared matches. It took him a whole year to complete the project.

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Apart from a variety of alcoholic and non-alcoholic drinks, the menu at the Tokyo Hypnosis Cafe Colors, in Shinjuku Golden Gai, also features some offbeat items, such as Trauma Erasure or Past Life Regression.

Tokyo is known for its unique cafes, many of which have been featured on Oddity Central (Cuddle Cafe, Vampire Cafe, Hammock Cafe, etc.), and today I’m thrilled to add another one to our growing collection – the Tokyo Hypnosis Cafe Colors. As the name suggests, this intriguing venue uses the power of hypnosis to attract customers (and maybe trick them into coming back). Originally opened in the city of Sapporo, the hypnosis cafe moved to the Shinjuku district, in Japan’s capital city, where quirky establishments are becoming increasingly popular. Numbering just eight sits, all at the bar, the Hypnosis Cafe Colors offers visitors the chance to try out a number of hypnosis techniques, including reconnecting with your inner child, quit smoking suggestion, or trauma erasure. Simple hypnosis is performed by an expert who also plays the role of bartender and magician, and is basically free, but special techniques cost between ¥1000 ($12) and ¥50000 ($600).

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Who would have thought that an ordinary carpenter’s handsaw could be used to produce music? But apparently it can, and has been for the past 300 hundred years. And in order to commemorate this bizarre yet unique tradition, the NYC Musical Saw Festival is held in July of every year, in Astoria (Queens), New York City. Ever since the festival was established by founder and director Natalia ‘Saw Lady’ Paruz in 2003, musical saw players from all over New York and the world have come together to preserve and honor this rare form of music. In fact, for saw players in far-flung countries like Germany, Sweden, India, China and Japan, Astoria has become a pilgrimage place of sorts. Every year, the sawist who travels the greatest distance in order to attend is awarded the title of ‘guest of honor’.

At the Musical Saw Festival, the players socialize and hear each other play. There are solo performances and jam sessions as well. They even take the opportunity to educate each other about the different types of saws and various techniques of playing. Overall, the atmosphere is said to be rather friendly and encouraging. But the festival is not limited to saw players. The event is open to the public, so people are welcome to come in and learn about the musical saw, or just enjoy a concert or two. An art exhibit and a workshop are also part of the festival.

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Yes, Japanese women get lonely too, but luckily for them, there’s Soine-ya Prime, a dispatch service where women can hire a handsome young man to lay with her in bed for a night. Believe it or not there’s nothing sexual about it.

Two months ago, we posted about Tokyo’s popular Cuddle Cafe, where everyone could lay down next to a pretty girl for as little as $40. The joint had just opened in September, but it had such success that a second venue was recently inaugurated. But what about lonely women looking for attractive guys to cuddle up to? Sometimes you just want to crawl into bed and feel someone’s arms around you, without any other implications. But when you’re single that can be tough. Well, for some women, the need of a warm body next to them at night is so bad they’re willing to pay a total stranger. Created in 2011, Soine-ya Prime caters to the needs of Japanese lonely women by dispatching attractive men to sleep in their beds, without engaging in any kind of sexual activities. Clients are not allowed to kiss the men, touch them in any inappropriate ways or contact them without permission from the company. They’re to be used as pleasant company and nothing more.

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Argentinian street artist Eduardo Relero has the special talent of turning something as dull as pavements into incredible three-dimensional artworks that put people in danger of walking into lampposts starring at them.

48-year-old Eduardo Relero, who lives in Madrid, Spain, will spend up to two weeks working on one of his amazing 3D murals, which when viewed from the perfect angle look to be rising up from the pavement or sinking deeper into it. The talented artist began creating his beautiful artworks in 1990, on the streets of Rome, and has since then gone on to create breathtaking murals in Germany, France, Spain and America. “I realized that by taking my art out in the public, to festivals, theaters and events, I would be free to make drawings more to my liking, ” the artist says, adding that it’s also a great way of getting ideas across to big groups of people. With themes ranging from flying lions, giant waterfalls and gaping craters to giant feet sticking out of gaping holes in the ground and ancient figures lying in tombs that are actually just the tops of public benches, Relero seems to be one of those artists that never run out of ideas.

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If Edward Scissorhands could have tools for hands, why can’t real-life hairdressers? Well, there is this particular hairdresser from Fort Myers, Florida, who does have claw-hands. Of course, in his case, the claws are, detachable, but impressive, nonetheless. Sicilian-born Valentino LoSauro has claw-like finger extensions made from hard plastic and responsive elastic. Inside each claw, a razor-sharp stainless steel blade is inserted. This way, all that Valentino needs to do is run his hand through a customer’s hair and voila, a zigzag look is created. This device, he claims, can be used to cut hair twice as fast as normal shears. He’s already sold about 30,000 of his clever inventions, Clawz, as he calls them.

Valentino had been in the hairdressing business for 25 years before it got too boring for him. He was just about ready to hang up his shears when the idea for Clawz came to him. He realized that scissors cut at straight angles and blades help to create a layered look. But there was nothing to create zigzag forms. That’s how he dreamed up his unique invention. The concept behind Clawz is that just like beating an egg makes it fluffy, a zigzag cut gives hair a fluffy and vibrant appearance. It’s just another tool in a hairdresser’s kit, according to Valentino, and it won’t replace scissors or blades. “It closes the loop,” he says. The hard plastic finger extensions that encase the small stainless steel blades were designed by an engineer he hired. But the idea itself came to him by watching a classical guitarist with picks at the end of each finger while playing the instrument. A keyboard player himself, he treats the use of Clawz as nothing short of a performance, combining a light-fingered touch with his styling. “So the Clawz were born as a simple idea to bring musicality to hairstyling,” he says. “When I cut hair I use methods I call ‘Flight of the Bumblebee’ and ‘Zap’.” While the first prototype of Clawz was launched in 2001, it took him about two more years to become proficient in their use. But now, he can cut hair faster than using scissors.

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Enterprising coffin maker Stepan Piryanyk, from the Ukraine, is offering living people the chance to lay down in one of his comfortable coffins in order to get used to the afterlife. After all, death is always so sudden, so why not take some time to get used to it…

Lying down in a coffin as therapy is not unheard of. Just a week a go we posted an article about a special Chinese psychotherapy clinic where patients lay down in a coffin and have the lid shut over them, in order to experience death and rebirth. A Taiwanese professor also buries his students alive in a coffin in the floor of his classroom, to make them appreciate every second of their lives. But Stepan Piryanyk, from the Ukrainian town of Truskavets, has found a new way to use his spooky wooden boxes as a form of therapy. The owner of a large coffin-making business, Stepan decided it would be a good idea to set up a special room where people could just lay down in one of his comfortable coffins, and experience being dead. Ironically enough, some people actually took him up on his creepy offer and said it was a very relaxing experience. Read More »

Stains of coffee and fruit juice are dreaded by most people, but German artist Angela Mercedes Donna Otto actually uses them as the basis for her creative artworks. She randomly pours colored drinks on paper canvases and spends hours contemplating the splotches, looking for familiar shapes.

At the base of Angela Mercedes Donna Otto’s art is “apophenia”, a term used by psychologists to describe the pursuit of the human mind to construct meaning, order and forms even from chaotic structures (e.g. seeing faces and shapes in clouds). She starts the creative process by making random splotches of coffee, tea and various fruit juices on a paper canvas, to create all kinds of chaotic patterns. Then, she spends hours on end in her studio, contemplating the stains and using her imagination to identify meaningful patterns and shapes. Finally, the motifs she finds in the visually stimulant material are extracted from the patterns by drawing with colored ink. Though they are carefully worked out in detail her pictures provide a wide range of interpretation, different approaches and scope to “see more”.

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If you’re tired of all those half naked gorgeous men in fireman and male models calendars,  you could try the Nice Jewish Guys calendar, featuring 12 average-looking Jewish guys who are nice and have good jobs.

Yes, women like some eye-candy from time to time, but what they really want is a nice guy who can hold a job and isn’t afraid of commitment. That’s right all you Chippendales wannabes out there, you’re doing it wrong! At least that’s what the creator of the Nice Jewish Guys calendar seems to think. TV producer Adam Cohen gt the idea for the offbeat calendar back in 2010, while talking to friends about how all calendars have firemen or pin up hotties. Wouldn’t it be hilarious if there were nebbishy Jewish guys like “David” (pronounced with an affected long island Jewish mom twang) and this guy is posing up on a rock with his button-up shirt, still holding his jacket. People thought it was brilliant and HAD to be done. As I got into it I started realizing it was more of a cultural comment and it became a more serious endeavor, yet still with good humor. What happened was that I realized I was now carrying the torch for all the nice guys who get passed up in the bar, are still good to their moms, and are a good catch, but the women just don’t know it yet. As it started coming out I started getting tons of feedback from women who absolutely adore these guys. I never knew there was such a fetish for nice Jewish guys. Women of all religions were coming out of the woodwork,’ Cohen told Blog with Benefits.

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Beetlejuice might have been very popular back in the 80s and 90s, but the character is hardly remembered these days. Of course, things are different for New Yorker Bruce Christensen, a loyal Beetlejuice fan. The owner of the only Beetlejuice museum in the world, run out of his rent-stabilized studio apartment on West 34^th Street, 48-year old Christensen has over eighty artifacts related to the 1989 movie character.

Christensen’s obsession with all things Beetlejuice began in 1991, when he was just looking around at a KB Toys outlet on Long Island and found a Beetlejuice figurine with a removable head for just 99 cents. He bought one, but he couldn’t stop thinking about it all night. So the next day, he ran back to the store and bought as many varieties of the action figures as he could, like the Showtime Beetlejuice, Spinhead Beetlejuice, Shish Kabab Beetlejuice and Phantom Flyer. His collection started off very small and expanded as he travelled. When he went to Amsterdam he found bottles of Beetlejuice; in Hollywood he found the typewritten script and the original press kit of the movie. Over the years, friends also started gifting him Beetlejuice merchandise and memorabilia. When the 400 sq. ft. museum opened, he had only 57 artifacts, but now the collection has grown to over 80. Some of the other gems in Christensen’s collection include a VHS tape of the movie, Michael Keaton’s autograph, and a Beetlejuice comic that he purchased off EBay. And in case you’re wondering about those bottles of Beetlejuice, well, they do contain a liquid of some sort, which according to the label is five-and-a-half percent alcohol.

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Peter Bulow, a psychiatrist from Washington Heights, is just like any other New Yorker – he spends a chunk of his day commuting on the Subway. But unlike others who tend to doze off or are busy on their smartphones, Bulow prefers doing something much more creative and artistic – he sculpts. He has actually managed to convert the A-train into his own personal studio and his fellow commuters, into models. Armed with a blob of clay and a sculpting knife, he picks a subject and creates miniature busts of them. His completed works are usually stored in his violin case. Among several sculptures, you can find things like a school-girl on her way to a violin lesson, a macho guy with headphones, a couple snuggling, a woman wearing a fur collar, a few sporting dreadlocks and turbans.

Bulow started his unique Subway pastime about four years ago. “I had a long commute to work, so I thought it would be a good time to practice sculpting portraits,” the 52-year-old says. He has degrees in clinical psychiatry and art, and is a researcher at Columbia University. Not only is he an artist and a psychiatrist, but an immigrant and the son of Holocaust survivors. Born in India to a German father and Hungarian mother, Bulow’s sculpting days go far back into his childhood in Berlin when his uncle took him to the zoo and he made clay lions. Before his son Isaac was born, he would go to a stone carving studio after work. But now, he does it to and from work. So far, he has completed over 400 sculptures and he views them as portraits that help him “capture a moment in time.” Bulow feels a live connection with his subjects, especially because he has a fascination for people’s inner lives. He is so deeply moved by his art that he says, “When you look at a sculpture you feel all these emotions, but it’s not the sculpture that’s doing it; it’s you. It interests me how art affects the brain.” In fact, he is so much into sculpting miniature busts that he is writing a book in which he is attempting to connect all the portraits he’s made with his research in neuroesthetics (how the brain interprets music and art).

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Sixty years ago, a doctor from Thailand had a vision for his small, dusty old village – to convert it into a major tourist attraction. And in an attempt to do so, he actually convinced his fellow villagers to raise pet snakes in their homes, putting them in shows for tourists. Surprisingly the ploy worked, and today the village of Ban Kok Sa-Nga in Thailand’s Northeastern Province of Khon Kaen is better known as ‘The Cobra Village’, among tourists.

All of the 140-odd homes in Ban Kok Sa-Nga have at least one pet snake, which they place outside in wooden boxes. The pet snakes range from deadly ones, such as king cobras or monocled cobras, to less dangerous ones such as copperheaded racers and pythons. The atmosphere in the village itself is always festive; it is one big snake show theme attraction. The snakes are bred in captivity and put together in daredevil shows such as – you won’t believe this – man vs. snake boxing matches. Obviously not for the light-hearted, these shows involve the handlers taunting an already enraged giant king cobra. As the snakes slither across the stage, the men pull their tails to provoke them further. Despite all the weird stunts that take place in these shows, what spooks out most tourists is the level of comfort the villagers share with the snakes. Most people are terrified of these creatures, but the people of Ban Kok Sa-Nga don’t even bat an eye-lid. Even the children are completely at ease; they are taught how to handle snakes, how to fight them and feed them, at a very young age.

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