
Photo: Ken Fritz
The ceiling design copies that of a concert hall in Osaka, Japan, with the ceiling to floor dimension at the front of the room being 11.5 feet, expanded in five different planes to 17.5 feet at the rear of the room. The side walls are skewed out by 2″ from front to back to help reduce slap echoes, and both the front and the back of the room incorporate a curve design that would help scatter sound. The walls were built with 12″ cinderblock and Durawall wire reinforcement was incorporated in between each vertical course. A 1″ rebar was inserted into every other vertical cavity and then the cavities were filled solid with 3500 PSI pea gravel concrete. Purlins were inserted and spaced 48” apart in each vertical cavity.
The floor was poured using 3500 PSI concrete to a thickness of 8″, and the ceiling was built using trusses on 16″ centers spanning from the front to the rear of the room. Fiberglass insulation was installed in the walls before ¾” plywood sheeting was glued over, and then two layers of 5/8″ fire code sheetrock were then glued, with Durabond 90. And that’s just the room that Ken Fritz’s sound system sits in. The installation itself consists of 3 thirty-five thousand watts, nine-foot-tall speaker towers and a 1,500-pound custom “Frankenstein turntable” built by the audiophile himself. Although the 79-year-old won’t talk prices, he admits that the electronics alone are worth a small fortune.
“I’ve seen turntables that sell for $100,00, $120,000, and they’re nowhere near as complicated and as involved as this,” he told his son Scott. “I believe I’ve built the best stereo system in the world,” Ken Fritz said. “While I was designing it and building it I knew it was going to take time. Every part of this system is part of me and that is a good feeling. It took years and years to build all of this. Thousands and thousands of hours.”
Ken Fritz’s 25-year-long epic project became the subject of a moving documentary called One Man’s Dream.