For his latest series, aptly entitled “Blow Job – Work of Blowing”, Brazilian artist Fernando de la Rocque has created images of political and religious icons using marijuana smoke. Needless to say that has sparked a great deal of controversy in the art world.

We’ve seen some pretty unique works of art created with smoke, like the ghost paintings of Rob Tarbell or the smoke-painted bottles of Jim Dingilian, but none as controversial as Fernando de la Rocque’s. The daring artist using a unique technique to paint images onto a white canvas – he blows marijuana smoke on pre-cut stencils laid down on the canvas to dye paint and shade the desired areas. The results are pretty impressive, but it’s the bizarre technique that attracted the most attention, with many wondering how he must feel after completing one of his smoky artworks.

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Rob Tarbell has a very unique talent. By burning everyday objects under a paper canvas fixed on the ceiling of his studio, he is able to control the rising flow of smoke and create incredible works of art.

The artist first got the idea of using smoke as a medium for his art in 2007, and he quickly realized that in order to make it work, he needed to control the smoke, while letting it do what it does naturally. To him, that sounded a lot like what circus trainers do with wild animals, so this inspired him to use circus performances as the main subjects of his beautiful smoke paintings. Masterfully channeling the flow of smoke, Tarbell creates ghost-like figures, both animal and human performing circus acts, in a series entitled Smoke Rings. “The performing animal images in the Smokes parallel the drawing process,” Rob says on his website. “The trainer must recognize and respect the innate nature of an animal when trying to modify its behavior to achieve a desired outcome: e.g. training a bear to dance or training a horse to walk upright. The same is true in working with smoke. The inherent properties of smoke must be respected, then permitted to – and yet discouraged from – acting naturally.”

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