It’s hard to believe the photos bellow are real, but South-Korean artist Ahn Jun insists she does not photoshop any of her works. Although she will sometimes use measures of protection like a harness, the young daredevil really is dangling on the side of buildings or leaning out skyscraper windows, all in the nae of art.
Remember Natsumi Hayashi, Tokyo’s levitating girl, who used to post photos of herself jumping at just the right time to make it seem like she was floating through the city? I loved her work, and today I get to write about an equally talented and creative Asian photo artist, Ahn Jun. Her project titled Self-Portrait, for which she photographs herself in precarious positions on high-rise buildings around the world, has taken the art world by storm. Many have claimed that the photos are digitally altered to create the death-defying portraits, but the young South-Korean photographer insists it’s all real. She just sets the timer on her camera to take as many pictures as possible until the memory card is full, and then gets into position, either leaning dangerously over the edge of a skyscraper, climbing out the window or just staring at her feet into the abyss below. She then goes through the thousands of photos, picking just one or two in which her body looks “peaceful or aggressive, rather than fearful”.
Talking about the start of her Sel-Portrait project, Ahn Jun says: “There was a day when I recalled my adolescent years. I was sitting on the edge of my apartment in New York and looking over the cityscape. I had a thought that suddenly my youth was coming to an end and I could not figure out the future. I sat on the edge and looked down. Then I saw the empty space, the void, and there was a sudden change in my perspective on life and death, present and future. The vision of the cityscape I was witnessing was not real for that moment – I felt the illusion of beautiful buildings was just like the future, or an ideal that we can never reach, but which surrounds us. Then I looked down and saw that what I was actually standing on was empty space. It was ‘the present’ for me. So I took a picture of my feet and that was the start of my project.”
“Of course it is not a safe situation,” Jun Ahn says. “But I always try to be careful.” Her incredible photos remind me of the Russian skywalkers who climb the highest structures in the country only to strike a pose and have their pictures taken.
Source: British Journal of Photography
Photos © Ahn Jun