A museum in the German city of Wolfsburg recently removed a controversial art installation by English artist Damien Hirst after animal rights group PETA filed a complaint about it killing flies.

Flies are generally seen as annoying pests to be exterminated or at least kept at bay, but a controversial art installation featuring a fly-killing UV light has attracted the wrath of animal rights group PETA and sparked a heated debate about the rights of the flying insects. Titled “A Hundred Years (1990)”, the art installation by award-winning artist and entrepreneur Damien Hirst was recently removed from Kunstmuseum Wolfsburg after PETA filed a complaint claiming that it infringed on Germany’s Animal Welfare Act, which bans the killing or harming of animals without proper reason. Whether flies fall under that law or not is yet to be determined, but the decision has already sparked controversy in Germany.

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Japanese artist Yoneji Inamura spent six years of his life collecting 20,000 beetles of different varieties and using them to create a five-foot sculpture of a popular Buddhist deity.

It’s unclear how and when exactly Inamura started catching and collecting beetles. Some sources claim that it was during his days working for the local railroad, in Itakura, Japan’s Gunma Prefecture, after noticing that the rhinoceros beetle’s horn resembled the fingers of the Buddhist deity, while others say that he was helping local children collect beetles and just became fascinated with them. Living in a rural area of Japan, Inamura was always surrounded by various types of beetles, including rhinoceros beetles, winged jewel beetles, drone beetles, longhorn beetles, just to name a few, and he dedicated most of his free time to catching and adding them to his collection.

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Who knew that steely cold surgical tools could be used to produce exquisite, intricate architectural models? Renowned British artist Damien Hirst did just that – he used a vast number of surgical instruments and metal objects such as scalpels, stitching needles, razor blades, hooks, iron filings and safety-pins to create wonderfully detailed collages called ‘Black Scalpel Cityscapes’.

For his recent exhibition at White Cube Gallery in Brazil, he selected 17 cities that are either recent sites of conflict, cities relating to his own life, or centers of political or religious significance – including Rome and the Vatican City, Leeds, Beijing, Moscow, London and New York.

To create a collage, Hirst gathers as many surgical tools and scrap metal as possible and then begins the arduous process of delicately arranging them to replicate the aerial view of a city. He then adds some local flavor to each collage. For instance, the view of Paris is contains a few French francs and tourist souvenirs, while Vatican City has silver religious medallions. Moscow’s miniature roads sparkle with shards of mirror.

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Damien Hirst is known as one of the most controversial artists of our time, and his latest work only adds to his reputation. Capaneus, part of the ‘entomology‘ series that hirst has been working on since 2009, features hundreds of insect species placed in intricate geometric shapes and fixed in place with household gloss paint.

Considering many people find insects, spiders and scorpions disgusting or even frightening, it’s fair to say Capaneus is not an artwork for the faint of heart. However, considering Hirts’s past “masterpieces” include a diamond-encrusted baby skull, and an installation where maggots hatched, developed into flies and feasted on a severed cow’s head in a glass box, I’d have to say his latest creation is one of the least controversial. According to the English artist’s website, “this work’s title derives from Dante’s ‘Inferno’ which recounts how the warrior king Capaneus is struck down with lightening and thunder bolts by the angered deities whom he has held in contempt. Dante’s account originates from the Latin epic poem ‘Thebaid’ in which it is described how, body and helmet aflame, Capaneus falls from the walls to the ground below where he lies outstretched, ‘his lifeless body as immense as that of a giant.” Like the rest of the artworks in the “entomology” series, Capaneus alludes to Hirst’s long time interest in the nineteenth century fascination with natural history and the irony involved in having to kill something in order to look at it.

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Damien Hirst‘s latest artwork, a baby’s skull cast in platinum and encrusted with 8,000 diamonds, has caused quite an outrage among parenting groups who think it’s offensive and deeply disturbing.

Hirst has made quite a name for himself, as a controversial artist who has previously dissected sheep and pickled a shark and showed them off as artworks. As disgusting as this sounds, it earned him an international reputation and a multi-million dollar fortune. But some say the bad boy of the art world has gone a little to far with his latest creation, “For Heaven’s Sake”.

He took a baby skull from a 19th century pathology collection he acquired, made a platinum cast and encrusted it with 8,000 diamonds. The piece is the centerpiece of a new exhibition scheduled to open later this month, in Hong Kong, but it has already made headlines, after parenting groups labeled it as troubling. “Mr Hirst may not have intended to be insensitive with his new work, but the fact is it will have a profound effect on many people who will find the subject deeply disturbing.” said Sally Russell, founder of the Netmums parenting group.

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