A stonecutting workshop that set out to carry on the legacy of legendary Russian jeweler Peter Carl Fabergé has managed to raise the art of volumetric mosaic stone cutting to a level never reached before in all of human history.

Volumetric mosaic is one of the most complicated and technical hardstone carving techniques. It involves combining volumetric fragments of various colored semiprecious and ornamental stones to assemble impressive sculptural compositions. It has been practiced by Russian craftsmen and artisans for over a century, but Alexei Antonov’s stonecutting workshop in Yekaterinburg has elevated the art form to a whole new level, by incorporating precious metals in the detailed sculptures and using modern technology to make the artworks stunningly detailed.

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The fluffy pillows of Norwegian artist Håkon Anton Fagerås look perfect for smashing your face into after a long, hard day, but I wouldn’t recommend it, since they are carved out of white marble.

For thousands of years, blocks of marble have been carved into awe-inspiring artworks by some of the most talented sculptors in human history. It is perhaps the most used material in the history of art, and for good reason. There is a certain elegance, even a delicateness to it, qualities that help artists use it to express the nuances of human emotion, despite its rigid nature. These properties of marble inspired Håkon Anton Fagerås to sculpt the rock into something that would embody its qualities perfectly.

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You’ve probably seen wood artists carve impressive sculptures out of giant logs, be it with a chainsaw or hammer and chisel, but you probably haven’t seen anything quite like what Spanish artist Gerard Mas is capable of.

By tirelessly chiselling away at logs cut from mature tree trunks then smoothing out his artworks with fine sandpaper, Gerard Mas is able to produce these almost perfect animal sculptures that literally look like photos of living creatures. And as if his works weren’t impressive enough, the dark tones used to expertly recreate the fur of a doberman or the black snout of a German shepherd are achieved only by charring the wood with an open flame. The results are simply breathtaking.

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Jason Stieva has been doing Gothic assemblage art for roughly two decades, but his most intricate and impressive creation has to be the Leviathan – Ark of Apocalypse, an 8 feet high, 7.5 feet long ghost ship populated by hundreds of strange creatures.

Most of the artworks in Jason Stieva’s ongoing “Gothic Times” series are incredibly detailed, but he himself admits that the Leviathan – Ark of the Apocalypse was his most daunting project ever, and that he will most likely will never make anything like it again. And just looking at pictures of this incredible artwork, you can understand why. Although measuring over 7 meters in length, 2.5 meters in width and standing at a whopping 8 feet tall, this ghostly ship is brimming with detail. From the steampunk-inspired gears at the bottom of the ship and the dozens of cannons dominating its sides, to the hundreds of skeletons and other ghastly creatures populating its deck and multiple crow’s nests, it’s just so much to take in.

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Mark Tyoe is a talented chainsaw artist and the co-owner of Wintergreen Knoll Chainsaw sculptures in the Adirondack Mountains of Upstate New York. He runs the business along with his wife Linda; together, they sell Mark’s unique chainsaw carvings that he’s been making since the 1990’s. Mark is really good at transforming a solid block of wood into a beautiful sculpture, using nothing but a chainsaw.

“Everything I do on my carvings is with a chainsaw,” he said. “I’m kind of a purist about using one tool.” A chainsaw is hardly the ideal tool for artists, so it’s really a wonder that Mark manages to use one to create such delicate details. He doesn’t grind or sand, and he doesn’t use screws, nails or paint.

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Artist Bobby Causey makes wax sculptures of celebrities that are so life-like, you’re going to have a hard time believing they’re not real. The self-taught professional, based in Allen Park, Michigan, painstakingly creates each piece by hand, even punching in each individual strand of hair one at a time!

Causey, who won several art shows as a kid for his drawings, said that he enjoys sculpting a lot more – his favorite sculptors include Jose Ismael Fernandez and Michelangelo. He also remembers that special moment when he realized that sculpting was his ‘thing’: “It was the Lost Boys: David piece. I loved that movie and loved the soundtrack; once I completed the piece, I could hear the music from the movie, and got some chills. I said, ‘I think I found my special purpose; what the hell can I sculpt next!’”

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One day, 13 years ago, when retired fan maker John Brooker realized that his hedge was way too boring, he decided to do something about it. Since then, he has been sculpting it into a wonderful, mystical creature – a gigantic 150-foot long, 20-foot tall dragon, complete with a massive pair of wings and six sets of legs.

The dragon topiary – with its bulging eyes, flaring nostrils and crested back – is truly one-of-a-kind. Mr. Brooker, now 75, said: “I was standing at my kitchen sink one day and thought the hedge was boring so decided to do something with it. I think the dragon came from my days in the Army. I did two tours in Malaysia so the dragon must have been in my subconscious.”

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Seattle-based artist Kim Beaton enlisted the help of 25 volunteers to build an awe-inspiring 12-foot-tall tree troll exclusively out of non-toxic materials. The kind face of this forest giant was inspired by her late father, a lumberjack from Montana.

In 2006, Kim Beaton and a team of volunteers spent 15 days creating a unique tree troll out of papier mache, wood, metal plates and other non-toxic materials. Although the entire sculpture looks unbelievably realistic, it’s friendly face and beautiful blue eyes immediately grab the viewer’s attention. Trolls are not exactly known as friendly creatures, but Beaton’s is special. The artist explains: “[My father] had died a few months prior at 80 years old. On June 2nd, at 3am, I woke from a dream with a clear vision burning in my mind. The image of my dad, old, withered and ancient, transformed into one of the great trees, sitting quietly in a forest. I leaped from my bed, grabbed some clay and sculpted like my mind was on fire. In 40 minutes I had a rough sculpture that said what it needed to. The next morning I began making phone calls, telling my friends that in 6 days time we would begin on a new large piece. The next 6 days, I got materials and made more calls. On June 8th we began, and 15 days later we were done. I have never in my life been so driven to finish a piece.”

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During the last six years the Ukrainian city of Simferopol has been transformed into an urban art gallery by a mysterious artist who carves wooden statues out of dead tree trunks. There are now dozens of these incredible works of art spread throughout the Crimean city.

Not many took notice when the first wooden masterpieces started showing up in various areas of Simferopol, but in time the city became filled with them, and people began wondering who was behind them? Was it the local authorities, a local art group or did the trees magically transform into detailed sculptures? There were all kinds of rumors going around, but local media was finally able to track down the “perpetrator”. His name is Igor Dzheknavarov, and remarkably he’s not a trained sculptor or carpenter, but a cook. “Cooking is the biggest art of all,” he jokingly told surprised reporters. “If you can fry potatoes, you can do anything.” Ten years ago Igor taught himself how to sculpt, and at one point started using his newly discovered skill to improve the look of his city. He calls himself a co-artist, as all of his works are inspired by the unique lines and twists of the trees he carves.

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For the last 400 years, Tibetan monks have been using butter from yak milk to create large and intricate sculptures inspired by stories of Buddha, animals or plants and putting them on display during the annual Butter Lantern Festival. Unfortunately, the long and difficult process of making these exquisite works of art has led to a shortage of gifted lama artists.

The art of butter sculpting was born from the Tibetan tradition of giving Buddha everything they got from their domestic animals. Nomadic tribes with large herds of sheep and yaks regarded the first butter from each dri (female yak) as the most precious one and offered it to Buddhist monasteries, where monks shaped it into beautiful colored sculptures and offered it to the enlightened ones. The tradition was passed on from generation to generation, and even today, dozens of Tibetan monks work for months on a single giant butter sculpture that must be ready before the 15th of January, the climax of celebrations of the Tibetan New Year, as it mark the triumph of Lord Buddha over his six non-Buddhist teachers who challenged him in performing miracles. During the day, people pray in temples and monasteries, and as the night comes they head to Lhasa’s Barkhor Street to admire the hundreds of artistic butter sculptures, ranging from just a few centimeters in size to several stories high. This colorful display attracts millions of tourists both from Tibet and abroad.

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Arizona-based Tom Eckert would be better off calling himself an illusionist rather than a sculptor. The talented artist somehow manages to turn hard wood into realistic looking objects, from flowing fabrics, to books and fruits.

It’s almost impossible to believe Tom Eckert uses traditional techniques to carve his amazing artworks from wood, but that’s just what makes him so special. Since childhood, I have been curious about and amused by mistaken impressions of reality presented as part of my visual experiences,” Tom says. “One of my earliest recollections, on a car trip, was my perception of the wet, slick highway ahead that turned out to be an illusion, a mirage.  The revelation that I was fooled, visually and intellectually tricked, stuck with me.  This visual deception is now the basis for my creative direction.  “Cloth” carved of wood has much different structural qualities than real cloth. When this idea is applied to my compositions (floating book, floating cards, floating rock) a sense of the impossible happens – for me, magic.” Not just for him, I’m sure.

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Japanese artist Katsuyo Aoki uses ceramics to create the most intricate skulls you’ve ever seen. Decorated in rococo style, her amazing works of art incorporate various lacy, swooping patterns and tendrils that make these symbols of death look beautiful.

You’ll probably never look at a skull the same way after seeing the amazing artworks of Katsuyo Aoki. The Tokyo artist specializing in detailed porcelain sculpture has chosen the ghoulish symbol for her Predictive Dream series to prove even death can be beautiful. ”The decorative styles, patterns and symbolic forms I allude to and incorporate in my works each contain a story based on historical backgrounds and ideas, myths, and allegories. Their existence in the present age makes us feel many things,; adoration, some sort of romantic emotions, a sense of unfruitfulness and languor from their excessiveness and vulgarity,” Aoki says in her artist statement. We’ve featured decorated human skulls on OC before, like the painted skulls of Hallstatt ossuary, or the elaborately carved Kapala ritual cups, but nothing quite as detailed and beautiful as these fragile porcelain masterpieces.

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Cerkahegyzo is a Hungarian artist who transforms common pencils into seemingly digitally-altered works of art. In reality, the miniature sculptor uses just a few basic tools and mountains of patience to create these intricate masterpieces.

Believe it or not, Budapest-based artist Cerkahegyzo manages to produce all these unreal artworks out of a single pencil. Some of his works may give the impression that he somehow fuses together the elements of multiple pencils to achieve the desired effect, but it’s only an optical illusion. He uses razor blades and needles to painstakingly carve away at the lead base and wooden casing, as well as sandpaper, files, and polishing stones to shape his intricate designs. Taking inspiration from established miniature sculptors like Dalton Ghetti, Misuta Tasogare and Kato Jado, the Humgarian master creates all sorts of incredible patterns that leave the viewer wondering “how did he do it?”

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Things are not as they seem, when it comes to the mind-blowing artworks of London-based sculptor Ron Mueck. Seeing his larger-than-life sculptures of the human body for the first time, you’d be tempted to think you are looking at real-life giants.

Australian-born Ron Mueck is the so of two toy makers, so it’s really not very surprising that he opted for a somewhat similar career, making his very own toys, only on an infinitely more detailed level. He worked as a model-maker and puppeteer on children’s television shows for 15 years, and went on to create special effects makeup for movies like the 1996 fantasy “Labyrinth”, featuring David Bowie. In the 1990s, he started his own company, making models to be photographed for advertisements. Back then, most of his works were only partially completed, as they were meant to be photographed from just one angle, leaving a lot of loose material lurking around the areas captured by the camera lens. Ultimately, he decided photography destroys the physical presence of the original object, so he turned his attention to fine art and sculpture. A wise decision, as his hyper-realistic works of art have now won him international acclaim.

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An Indian man known only as Hussaini has recently unveiled a shocking work of art – a bust of J. Jayalalitha, Chief Minister of the Tamil Nadu state, made from 11 litres of frozen human blood, donated by him and 32 of his students.

Apparently, nothing shows admiration for a person like making a creepy sculpture of them from human blood. At least that’s what Hussaini, a sculptor and archery teacher from Chennai, must have thought when he got the idea to create a bust of Chief Minister J. Jayalalitha out of his own frozen blood, for her 65th birthday. The noted artist wanted to thank the politician for being the “most sports loving CM of India” and for her support to his archery association, and since he had a few liters of his own blood stored for special occasions, he decided to put it to good use. You see, Hussaini has had his blood drawn at three-month intervals, over the last eight years, waiting for an opportunity to use it as a medium for his sculpture. But he only had 6.5 liters of blood, and this special project required 11. Luckily, his 32 archery students were more than willing to donate the extra 4.5 liters needed to complete the project.

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